Fiddles & Irony
Oct. 6th, 2006 10:41 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
So, now my Timothy of the many multi-tasking heads has caught this virus of mine and he is quite inexplicably annoyed. I suppose I can understand this to some extent, although I find it more amusing than not. When he first heard of my two days off work, he insisted on catching the virus too.
“Give it to me! I want two days off work.”
To which I'd reply:
“Get your own virus! I found this one and I’m keeping it.”
Indeed, the virus stayed quite loyal to me and didn't seem to want to fraternise with my Timothy or even Bindi. Instead, he-of-the-multiple-heads spent most of the week taunting me with the lovely breakfast to which his workplace was being treated on Friday morning. Oh, how he was looking forward to this breakfast. What wonders would be there! What fun he would have teasing me with the delights upon which he feasted!
Then, yesterday, he finally caught the virus and was unable to go to this breakfast.
There are my irony dollars, hard at work. Worth every bit of whatever I paid for them.
In writing news, I’m feeling quite happy about my recent decision. I read over one of my older stories - the first to do well in a competition, in fact - and enjoyed it immensely. It’s not perfect, but it’s a lot of fun. It also served to highlight the one oddness about Black Fiddle that’s always puzzled me, viz. Why is Black Fiddle such a serious work? All of my other stories and light-hearted and slightly humorous. If you look at my other major work, The City, you’ll find that it’s quite different in tone. The good
blindmouse can attest to that.
So why is Black Fiddle so serious? There are flashes of silliness and the occasional line that still manages to make me chuckle, but it’s mostly dead straight. Maybe that’s something else I have to work on. Maybe I need to find the humour and silliness and bring it out a bit more.
Maybe I should get right back to those scene breakdowns that were so enthralling me a few weeks ago...
Does anyone else experience that, though? Do your stories all have a similar tone, or do they vary widely depending on what they're about? I’d be most interested to know.
“Give it to me! I want two days off work.”
To which I'd reply:
“Get your own virus! I found this one and I’m keeping it.”
Indeed, the virus stayed quite loyal to me and didn't seem to want to fraternise with my Timothy or even Bindi. Instead, he-of-the-multiple-heads spent most of the week taunting me with the lovely breakfast to which his workplace was being treated on Friday morning. Oh, how he was looking forward to this breakfast. What wonders would be there! What fun he would have teasing me with the delights upon which he feasted!
Then, yesterday, he finally caught the virus and was unable to go to this breakfast.
There are my irony dollars, hard at work. Worth every bit of whatever I paid for them.
In writing news, I’m feeling quite happy about my recent decision. I read over one of my older stories - the first to do well in a competition, in fact - and enjoyed it immensely. It’s not perfect, but it’s a lot of fun. It also served to highlight the one oddness about Black Fiddle that’s always puzzled me, viz. Why is Black Fiddle such a serious work? All of my other stories and light-hearted and slightly humorous. If you look at my other major work, The City, you’ll find that it’s quite different in tone. The good
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So why is Black Fiddle so serious? There are flashes of silliness and the occasional line that still manages to make me chuckle, but it’s mostly dead straight. Maybe that’s something else I have to work on. Maybe I need to find the humour and silliness and bring it out a bit more.
Maybe I should get right back to those scene breakdowns that were so enthralling me a few weeks ago...
Does anyone else experience that, though? Do your stories all have a similar tone, or do they vary widely depending on what they're about? I’d be most interested to know.
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on 2006-10-06 12:55 am (UTC)I used to think this was a bad thing, but I've kind of grown to accept that it's actually good. I can write in different styles, and with different tones, but in the end, they all still come out reflecting my personality. Especially in dialogue. A lot of my dialogue, you could transplant the words to other stories, and it wouldn't be weird for them to say these things. All my characters tend to talk... not the same... they all have different speech rhythms and stuff, and their own jargons and idiosyncracies. But, there's still a sameness about it. And you probably stopped comprehending me ages ago, because I'm being very vague and nonsensical. Anyway... yeah. Octopus gangrene sarsparilla.
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on 2006-10-06 04:49 am (UTC)I see what you're getting and I suppose you could probably find similarities between Black Fiddle and Nunnery, for example, but it does feel most odd. I think I'm happier writing the slightly-humorous things than I am writing the mostly-serious things and I'd hate for Black Fiddle to be published, then followed up by The City (in my wildly unlikely dream-world...) only to have people scratching their heads in confusion and wondering what my style actually is.
If I look at the stuff I've written, I think I'd rather be known for my Postcards or Nunnery-esque style of writing than my Black Fiddle one. So I guess I just have to convert Black Fiddle somehow.
And now I am heartily sick of opening and closing italics tags...
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on 2006-10-06 01:01 am (UTC)no subject
on 2006-10-06 04:45 am (UTC)no subject
on 2006-10-06 05:43 pm (UTC)no subject
on 2006-10-06 07:44 am (UTC)Anyway, I'll keep you in my thoughts. Get better soon! (Be sure to check out this entry (http://charliemc.livejournal.com/209584.html), where I talk about Mucinex. It's really been a big help...)
By the way, are you going to try tackling NaNo this year??? I'd love to count you among my writing buddies! Do think about it, please...
I feel that my writing varies greatly, really. Right not I'm trying something really different and a bit challenging (for me, anyway) -- for the new Writing Circle that Marilyn got going here locally. It's the two of us and two other people, all hoping to write 2,000 words a month on a given subject. Obviously 2,000 words a month is very do-able. (Especially when you consider that NaNo is close to 2,000 words a day!) I'd love to see our little group expand to include others over time... (Maybe some online friends who love to write? Hint, hint!)
You know, you should consider friending Marilyn (
Again, feel better! If you're anywhere as sick as I've been and am, I feel quite terrible for you!
(hugs)
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on 2006-10-06 10:09 am (UTC)I'm not sure about NaNo. Every time I try it, I falter after about the first thousand words or so. Instead, I was thinking of setting myself a personal goal for November and going with that as my own personal NaNo-esque-thing. But there's still almost a month to go until it starts, so I might change my mind. You never know.
I always do love your themed icons - you seem to have one for every occasion!
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on 2006-10-06 07:12 pm (UTC)I'm so stuffed up right now that it's pitiful. I'll go to this event even if I have to crawl, but I'd prefer not to scare the other guests. (It's a $75-a-plate, $1,5000-a-table thing, so it would be nice if I wasn't horrid...) Honest, I'd kill for that spray at this second! Or close, anyway. (grin)
Do consider NaNo again. Obviously you need to do what works for you, but it certainly helped me get 50,000 words on my novel last year. And will hopefully do the same this year, too. (smile)
As for my icons, that's pretty much why I have the extra 100 -- so that I can have one for every occasion. You wouldn't believe how often they let me down, though... (heh)
(hugs)
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on 2006-10-06 11:46 pm (UTC)no subject
on 2006-10-06 08:00 am (UTC)Even the flu?
;)
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on 2006-10-06 10:02 am (UTC)no subject
on 2006-10-06 09:28 am (UTC)no subject
on 2006-10-06 10:03 am (UTC)All in all, it's raising rather too many questions. :D
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on 2006-10-06 10:18 am (UTC)Try thinking of the story - the characters, the world, the plot... How does it feel? Does it feel like it needs more humour? I think going with your feelings for the story will hopefully lead you to the right solution.
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on 2006-10-06 10:23 am (UTC)no subject
on 2006-10-06 10:25 am (UTC)no subject
on 2006-10-06 10:53 am (UTC)no subject
on 2006-10-09 04:58 am (UTC)no subject
on 2006-10-09 05:11 am (UTC)no subject
on 2006-10-06 10:03 am (UTC)Mine definitely all vary, but I think my style is becoming more and more defined. And I think, too, that for me the variation is a tension between two different tendencies, and every story has more or less of one or the other. One is quite earnest and honest and features characters being self-reflective - although the tone is quiet gentle, no extreme emotional heights or depths. And it tends towards alternate world fantasy. The other is slicker and more comical and far more dialogue-focused, and very much set in the here-and-now. If there was an ideal at either end, it might be something like Obernewtyn vs. Buffy.
I don't really know which style I'd prefer to be known for; I guess it's going to be a mixture whichever way I might decide to jump, though.
I haven't read enough of Black Fiddle to really judge. The City is definitely my favourite work of yours that I've read (I've read a couple of your short stories, 'Ever Again' and 'Child Care' and the chicken one and part of the Pye one, and I've read bits of Postcards and Jane of Letters.) But maybe you should be wary of trying to impose an alien style on Fiddle. It depends how it feels. If you really think it could use more humor, then obviously go for it. But make sure you don't lose the reason that you wanted to write it in the first place.
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on 2006-10-06 10:52 am (UTC)Thinking about it a bit more, I think the main reason for the "straightness" of Fiddle is Jeannie herself. She's a very driven, serious sort of character and her sense of humour is very ironic and a little dark at times. Perhaps the story is simply reflecting her attitude towards things? It's definitely a possiblity.
I think this is why I usually don't think about style that much on a regular basis - it can get very confusing. It's much easier to write if we're not second-guessing ourselves as we go.
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on 2006-10-07 04:15 am (UTC)And while I'm liking things, I must add that I love the story you wrote about the giant purple octapus. I can't quite remember the name at the moment.
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on 2006-10-07 04:45 am (UTC)I'm rather fond of the giant purple octopus myself. :) That story's called The Night of the Octopus (http://www.fictionpress.com/read.php?storyid=1504983) and it's one of the few I actually have online (in this case, at FictionPress).
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on 2006-10-07 11:00 am (UTC)Oh, and please note: octapus. Glargh! This is what I was talking about...
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on 2006-10-08 09:18 am (UTC)Witness, Dale last time he was sick (with the virus I had suffered through and passed on):
"Seriously though, if anyone else was as sick as this, they would be dead."
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on 2006-10-08 09:24 am (UTC)